HJP (b. 2000, Lisbon) is an Angolan  artist-researcher dissecting philosophical, scenographic and architectonic frameworks in relation to enacted modes of power, moral codes and Christian discipleship. 

His practice seeks to push boundaries between visual media and social architectures, using art installations, still/moving image, sound-driven performance and archiving as sites of contestation, re-memory and testimony.

While J. Paris’s ongoing Investigation looks at the intricacies tied between stigmatised social experiences and modernity. He is interested in immersing modes of historiography, resounding regenerative notes.

Tactility Ethics

Archive Storage System | Multimedia Installation, 180 x 53 x 36.5cm
2022, V&A Museum, documentation by Jeremy Chan
2022, V&A Museum, documentation by Jeremy Chan
2022, V&A Museum, documentation by Jeremy Chan

2022, V&A Museum, documentation by Jeremy Chan
2022, V&A Museum, documentation by Jeremy Chan

Installation initially displayed at Victoria & Albert Museum as part of their Field Notes exhibition at the Dr Susan Weber’s Furniture Gallery in 2022. The framework poses concerns centred on Afro Diasporic memory and imagination; englobing psychosocial experiences, modes of critical spectatorship and stasis when confronted in sites conserving colonial discourse.

Tactility Ethics situates possibilities toward cultivating gazes, authorships and values juxtaposing extractivist colonial practices in design and architecture.


V&A Museum
RCA Reseach Biennale 2025