His practice seeks to push boundaries between visual media and social engagement, employing still and moving images, multimedia installations, placemaking, and sound-based performances as sites of contestation and testimony.
While J. Paris’s ongoing Investigation explores the entanglements between stigmatised social experiences and contemporary built-environments. He is particularly interested in immersing modes of historiography: archiving through regenerative and hospitable notes.
Padrões da Polifonia
Multimedia Installation, 190 x 150 x 90cm
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
2024, Padrão dos descobrimentos, documentation by Rafael de Oliveira
J. Paris approaches socio-spatial tensions in public settings; the display of faces, handwritings and frequencies of those who are (or may often not be) represented in the site [monument] — the sound producers pushing and continuously redefining African sonorities. This work reflects the urgency of sound production for the diasporas residing in Portugal and the role it plays in their processes of humanisation and cultural-identity affirmation.
The Guardian
Ableton
Rimas e Batidas