Consists of a bedside table, public remains and a series of images collected from self-documented footage: depicting the body in transit, affective gestures and domesticity.
J. Paris contemplates mobility and how these manifest in everyday life through materiality and embodied knowledges; the body in movement becoming a monument.
In the words of Greg Tate “the embodied weaponry of self-styled Black physicality”, could refer to corporeality as a starting point to question the complex relationship between a body and the architecture surrounding it — what gets to inhabit what?
J. Paris contemplates mobility and how these manifest in everyday life through materiality and embodied knowledges; the body in movement becoming a monument.
In the words of Greg Tate “the embodied weaponry of self-styled Black physicality”, could refer to corporeality as a starting point to question the complex relationship between a body and the architecture surrounding it — what gets to inhabit what?